Hello all, I have awoken from my blog hibernation (for today at least) because I have been approached by a reader of this blog, Suzanne Fox, with a lovely offer to review This Rough Magic. The featured image, a beautiful alternative book cover for This Rough Magic, is also by Suzanne – isn’t it stunning? I really appreciate all this, Suzanne, and I am sure your review and cover will be enjoyed by everyone reading this post. You will see that Suzanne has thoughtfully written her summary of This Rough Magic to fit with the structure of my book summaries that appear in the sidebar under ‘pages’. I shall post her review there too but I want to publish here in ‘posts’ first, as posts are much more visible on the blog than pages.
I asked Suzanne to share some information about herself, and this is followed by the review: read and enjoy!
Suzanne Fox writes fiction and nonfiction, edits the online journal Society Nineteen, and works with authors to shape, publish and market their work. Find out more about Suzanne’s work at www.societynineteenjournal.com.
This Rough Magic, Mary Stewart’s eighth published novel, appeared in both the UK and US in 1964. It was serialized in the same year, in Good Housekeeping in the US and in Woman’s Journal in the UK. It is set on the Greek island of Corfu. Though the text doesn’t mention a year, references to the closed borders and communist government of nearby Albania suggest that the story takes place in the late 1950s or early 1960s.
Lucy Waring is a struggling actress whose most recent London show has just closed, leaving her at a loose end. She travels to visit her sister in Corfu, where her sister’s wealthy husband owns several properties. The island is verdant and balmy, a dolphin comes to frolic with her when she swims in the bay, and she is thrilled to discover that iconic actor Julian Gale has been living in seclusion in a nearby castello since his retirement from the English stage. But when two local inhabitants are mysteriously drowned, Lucy stumbles onto a dangerous mystery and into conflict with Julian Gale’s composer son Max.
In Stewart’s lush depiction, Corfu’s people are warm and its history colorful (Julian Gale is convinced it’s the inspiration for Shakespeare’s The Tempest). Yet its proximity to Albania drives some of its impoverished residents into risky smuggling, and the aggression of the Communist bloc is an inescapable threat. The contrasts of the sea, which appears in many if not most of the novel’s scenes, are also beautifully evoked. The book’s final sequence takes place at night when Lucy finds herself alone on a small sailboat with a murderer. The killer’s cold brutality and the seeming impossibility of escape—there is no place to go but into the dark, choppy water—feel all the scarier because earlier moments set in or around the ocean are so idyllic. As in The Tempest, the sea is a force that humans can’t control: a place of danger and death as well as a source of cleansing, renewal and change.
I swallowed more water, and in my panic began to struggle again. I burst free of the water, my eyes wide and sore, arms flapping feebly now, failing to drive me on or even keep me above water. The roar of the breakers came to me oddly muffled, as if they were far away, or as if their noise came only through the water that was filling my ears…I was being carried back, down, down, like a sackful of lead, like a body already drowned, to be tumbled with the other sea-wrack on the rocks in the bright morning.
Theater and literature lovers will appreciate the book’s affectionate references to Shakespeare, The Tempest and the stage, which add color to the story without distracting from Stewart’s own plot. (You don’t need to know the play to appreciate This Rough Magic.) The novel’s dolphin is another delight. Just as Airs Above the Ground made me hanker to see the horses of the Spanish Riding School perform, This Rough Magic made me long to swim with a dolphin—and make a trip to 1960 Corfu for good measure.
First line: “And if it’s a boy,” said Phyllida cheerfully, “we’ll call him Prospero.”
Characters: Lucy Waring, narrator. Phyllida Forli, Julian Gale, Max Gale, Godfrey Manning; Adonis, Maria, Miranda and Spiro.


This Rough Magic short essay © Suzanne Fox 2021
Featured image © Suzanne Fox 2021
What lovely “cover” art, and a lovely review/summary. If my TBR pile wasn’t quite so large it would have me reading This Rough Magic again, and I know I have read it in the past year. Many thanks for reactivating one of my favorite blogs.
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Hi Jerri, I thought you might like this. It’s good to hear from you.
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That’s so kind, Jerri! I had a wonderful time thinking about Stewart’s motifs for the “covers,” and it’s such a treat to be able to contribute something to Allison’s wonderful blog.
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So good to see Mary Queen of Plots reappear in my inbox!
Thanks Suzanne Fox for an excellent review of This Rough Magic – and beautiful cover art too.
I’ve recently re-read Airs Above the Ground (the magical image of the venerable lipizzaner dancing in the mountain twilight has remained with me) but now I’m inspired to move from Austria to Corfu, re-read This Rough Magic and swim with dolphins.
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Thanks, Elly, I’m sure Suzanne will appreciate your comments. And I always like to hear about a spot of Mary Stewart re-reading!
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Airs Above the Ground is another of my favorites, Elly! I’ve probably read it ten times over the decades and I still tear up at both the image of the stiff old horse doing those elegant movements to the distant music and the final scene of him returned home. She wrote about animals so beautifully, didn’t she?
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What a delight to see Mary Queen of Plots in my email box this morning! As a recently retired woman, I’ve been settling into a new routine and my chair-side bookcase of our beloved Mary’s novel beckon. Suzanne’s review brought back the pleasures of the sun and sea as well as the terror and fear of that night in the boat. Thank you both.
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Lovely comments, Nan, it’s good to hear from you. Lucky you being retired!
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I’ve recently re-read all of them and it’s been lovely. They really hold up well—so many of the romantic suspense novels of that period feel dated, but for me hers don’t. And at a time when travel is at best unappealing and at worst impossible, her brilliance at evoking place is even more of a treat than usual. I hope you enjoy both retirement and your re-reading!
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I must agree. One of the best things about Mary Stewart books is the settings. You can tell she has actually been there and done a lot of ground work about the locations.
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Totally agree, Mark, she writes setting so well and it is an integral, essential part of her writing.
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Mark, you put your finger on one of the things that makes me admire her work so much! There’s such a sense that she has walked the walk, so to speak, rather than just researched the places from a distance. The experience of moving through them is so rich, the sensory impressions are so palpable, and the logistics are so convincing. Her place descriptions are beautiful, but also solid.
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Thank you, Allison, for the chance to add a little something to your great site and chat with other Stewart lovers! I’ve loved her work since I first read The Moon Spinners decades ago, and I so appreciate the content and community here.
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Thank *you* Suzanne for being so generous, I have enjoyed your review and your art so much. It is lovely to be able to gather online to pay tribute to Mary Stewart and her writing, and to see the artistry and admiration she inspires in others.
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Thank you so much for your review! I absolutely love your cover art! As it so happens I just completed this rough magic last week. This was my third read of the book. I was so amazed that I had a completely different view than I have had on previous reads. There was much more humor then I remembered in the book. Also my impression of Lucy completely changed from previous reads. So very interesting to re-read books isn’t it?
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I agree totally, Blue Skies. I enjoy re-reading favourite books and think different aspects resonate depending on age, life experience, mood and so on.
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Thank you, Blue Skies, so glad you liked the review and art! Like you and Allison, I think one picks up different things—themes, motifs, aspects of style or voice—when re-reading. Nuances of character and story come out in new ways.
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